September 1st, 2017: Kara-Lis Coverdale

is heralded as “one of the most exciting young composers in North America” by the Guardian. Her surreal pieces evolve from the polymorph interaction of synthesised samples and keyboards. For Hallo Festspiele the classical pianist and organist is developing an electroacoustic composition, using the gritty and high-ceilinged Wandlerwerkraum as an acoustic filter.